Making Their Mark

CURATED BY CECILIA ALEMANI

Artworks left to right: Miriam Schapiro, Double Rose , 1978; Merikokeb Berhanu, Untitled LXXIII , 2021; Sonia Gomes, Sol Maior , 2023; Sonia Gomes, Artérias (série tela- corpo) , 2022; Françoise Grossen, Contact III , 1977; Elizabeth Murray, Jo

Artworks left to right: Miriam Schapiro, Double Rose, 1978; Merikokeb Berhanu, Untitled LXXIII, 2021; Sonia Gomes, Sol Maior, 2023; Sonia Gomes, Artérias (série tela- corpo), 2022; Françoise Grossen, Contact III, 1977; Elizabeth Murray, Joanne in the Canyon, 1990-91

Artworks left to right: Emma Amos, Star , 1982; Allison Katz, The Other Side , 2021, Laura Owens, Untitled , 2016

Artworks left to right: Emma Amos, Star, 1982; Allison Katz, The Other Side, 2021, Laura Owens, Untitled, 2016

Artworks left to right: Janet Sobel, Untitled , ca. 1946; Sarah Sze Crisscross , 2021

Artworks left to right: Janet Sobel, Untitled, ca. 1946; Sarah Sze Crisscross, 2021

Artworks left to right: Joan Mitchell, Untitled , 1992; Mary Weatherford, Light Falling Like a Broken Chain; Paradise , 2021; Aria Dean, Little Island/Gut Punch , 2021

Artworks left to right: Joan Mitchell, Untitled, 1992; Mary Weatherford, Light Falling Like a Broken Chain; Paradise, 2021; Aria Dean, Little Island/Gut Punch, 2021

Artworks left to right: Aria Dean, Little Island/Gut Punch , 2021; Lorna Simpson, Ice 11 . 2018; Joan Snyder, Untitled , 1974; Julie Mehretu, Among the Multitude VI , 2020-2022

Artworks left to right: Aria Dean, Little Island/Gut Punch, 2021; Lorna Simpson, Ice 11. 2018; Joan Snyder, Untitled, 1974; Julie Mehretu, Among the Multitude VI, 2020-2022

Artworks left to right: Joan Snyder, Untitled , 1974; Aria Dean, Little Island/Gut Punch , 2021; Julie Mehretu, Among the Multitude VI , 2020-2022; Laura Owens, Untitled , 2016; Joan Mitchell, Untitled , 1992

Artworks left to right: Joan Snyder, Untitled, 1974; Aria Dean, Little Island/Gut Punch, 2021; Julie Mehretu, Among the Multitude VI, 2020-2022; Laura Owens, Untitled, 2016; Joan Mitchell, Untitled, 1992

Artworks left to right: Pat Steir, For Philadelphia Three , 2013; Helen Pashgian, Untitled (orange) , 2009; Lynda Benglis, Baby Planet 1969; Jacqueline Humphries, [//] , 2014; Olga de Amaral, Alquimia Plata 6(B) , 1995; Jenny Holzer, TOP SECRE

Artworks left to right: Pat Steir, For Philadelphia Three, 2013; Helen Pashgian, Untitled (orange), 2009; Lynda Benglis, Baby Planet 1969; Jacqueline Humphries, [//], 2014; Olga de Amaral, Alquimia Plata 6(B), 1995; Jenny Holzer, TOP SECRET ENDGAME, 2019; Andra Ursuţa, Canopic Demijohn, 2021

Artworks left to right: Olga de Amaral, Alquimia Plata 6(B) , 1995; Lynda Benglis, Baby Planet 1969; Jacqueline Humphries, [//] , 2014; Jenny Holzer, TOP SECRET ENDGAME , 2019; Andra Ursuţa, Canopic Demijohn , 2021, Helène Aylon, First Coral ,

Artworks left to right: Olga de Amaral, Alquimia Plata 6(B), 1995; Lynda Benglis, Baby Planet 1969; Jacqueline Humphries, [//], 2014; Jenny Holzer, TOP SECRET ENDGAME, 2019; Andra Ursuţa, Canopic Demijohn, 2021, Helène Aylon, First Coral, 1970; Rosemarie Castoro, Gentless (Brushstroke), 1972

Artworks left to right: Mary Corse, Untitled (White Grid, Horizontal Strokes) , 1969; Lenore Tawney, Inquisition , 1961; Pat Steir, For Philadelphia Three , 2013

Artworks left to right: Mary Corse, Untitled (White Grid, Horizontal Strokes), 1969; Lenore Tawney, Inquisition, 1961; Pat Steir, For Philadelphia Three, 2013

Artworks left to right: Amy Sillman, Radiator , 2021; Simone Leigh, Stick , 2019; Charline von Heyl, Dunesday , 2016; Charline von Heyl, Plato's Pharmacy , 2015; Rachel Jones, SMIIILLLLEEEE , 2021

Artworks left to right: Amy Sillman,Radiator, 2021; Simone Leigh, Stick, 2019; Charline von Heyl, Dunesday, 2016; Charline von Heyl, Plato's Pharmacy, 2015; Rachel Jones, SMIIILLLLEEEE, 2021

Artworks left to right: Rachel Jones, SMIIILLLLEEEE , 2021; Carrie Moyer, Four Dreams In An Open Room , 2013; Simone Leigh, Stick , 2019; Jennifer Bartlett, At Sea , 1979

Artworks left to right: Rachel Jones, SMIIILLLLEEEE, 2021; Carrie Moyer, Four Dreams In An Open Room, 2013; Simone Leigh, Stick, 2019; Jennifer Bartlett, At Sea, 1979

Artworks left to right: Carrie Moyer, Four Dreams In An Open Room , 2013; Jennifer Bartlett, At Sea , 1979; Simone Leigh, Stick , 2019

Artworks left to right: Carrie Moyer, Four Dreams In An Open Room, 2013; Jennifer Bartlett, At Sea, 1979; Simone Leigh, Stick, 2019

Artworks left to right: Jennifer Bartlett, At Sea , 1979; Simone Leigh, Stick , 2019

Artworks left to right: Jennifer Bartlett, At Sea, 1979; Simone Leigh, Stick, 2019

Artworks left to right: Jennifer Bartlett, At Sea , 1979; Simone Leigh, Stick , 2019; Amy Sillman, , 2021

Artworks left to right: Jennifer Bartlett, At Sea, 1979; Simone Leigh, Stick, 2019; Amy Sillman, , 2021

Artworks left to right: Jutta Koether, Berlin Boogie #11 , 2021; Lucy Bingo, Pattern to Joseph’s Coat , ca. late 1960s; Jacqueline Humphries, [//] , 2014; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Weddi

Artworks left to right: Jutta Koether, Berlin Boogie #11, 2021; Lucy Bingo, Pattern to Joseph’s Coat, ca. late 1960s; Jacqueline Humphries, [//], 2014; Faith Ringgold, Window of the Wedding #3: Woman, 1974; Faith Ringgold, Window of the Wedding #4: Man, 1974; Anicka Yi, ̧W†RRñ†0, 2022

Artworks left to right: Mary Weatherford, Light Falling Like a Broken Chain; Paradise , 2021; Jutta Koether, Berlin Boogie #11 , 2021; Lucy Bingo, Pattern to Joseph’s Coat , ca. late 1960s; Jacqueline Humphries, [//] , 2014

Artworks left to right: Mary Weatherford, Light Falling Like a Broken Chain; Paradise, 2021; Jutta Koether, Berlin Boogie #11, 2021; Lucy Bingo, Pattern to Joseph’s Coat, ca. late 1960s; Jacqueline Humphries, [//], 2014

Artworks left to right: Charline von Heyl, Dunesday , 2016; Charline von Heyl, Plato's Pharmacy , 2015; Virginia Jaramillo, Infraction IV , 1970; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Wedding #4: Ma

Artworks left to right: Charline von Heyl, Dunesday, 2016; Charline von Heyl, Plato's Pharmacy, 2015; Virginia Jaramillo, Infraction IV, 1970; Faith Ringgold, Window of the Wedding #3: Woman, 1974; Faith Ringgold, Window of the Wedding #4: Man, 1974; Anicka Yi, ̧W†RRñ†0, 2022; Laura Owens, Untitled, 2016; Jutta Koether, Berlin Boogie #11, 2021; Lucy Bingo, Pattern to Joseph’s Coat, ca. late 1960s

Artworks left to right: Mary Heilmann, San Francisco (Day) , 1990; Mary Heilmann, San Francisco (Night) , 1990; Faith Ringgold, Window of the Wedding #3: Woman , 1974; Faith Ringgold, Window of the Wedding #4: Man , 1974; Anicka Yi, ̧W†RRñ†0 , 2

Artworks left to right: Mary Heilmann, San Francisco (Day), 1990; Mary Heilmann, San Francisco (Night), 1990; Faith Ringgold, Window of the Wedding #3: Woman, 1974; Faith Ringgold, Window of the Wedding #4: Man, 1974; Anicka Yi, ̧W†RRñ†0, 2022; Laura Owens, Untitled, 2016; Jutta Koether, Berlin Boogie #11, 2021; Lucy Bingo, Pattern to Joseph’s Coat, ca. late 1960s; Howardena Pindell, Untitled #21, 1978

Artworks left to right: Jacqueline Humphries, [//] , 2014; Mary Heilmann, San Francisco (Day) , 1990; Mary Heilmann, San Francisco (Night) , 1990

Artworks left to right: Jacqueline Humphries, [//], 2014; Mary Heilmann, San Francisco (Day), 1990; Mary Heilmann, San Francisco (Night), 1990

Artworks left to right: Christina Quarles, Meet in tha Middle , 2018; Joan Semmel, Horizons , 1981; Carol Bove, The Chevaliers , 2021; Maria Lassnig, Die grune Malerin (The Green Paintress) , 2000; Dana Schutz, Umbrella Man , 2017; Cecily Brown,

Artworks left to right: Christina Quarles, Meet in tha Middle, 2018; Joan Semmel, Horizons, 1981; Carol Bove, The Chevaliers, 2021; Maria Lassnig, Die grune Malerin (The Green Paintress), 2000; Dana Schutz, Umbrella Man, 2017; Cecily Brown, The Demon Menagerie, 2019–20

Artworks left to right: Maria Lassnig, Die grune Malerin (The Green Paintress) , 2000; Dana Schutz, Umbrella Man , 2017; Cecily Brown, The Demon Menagerie , 2019–20; Jenna Gribbon, You, blinded by M , 2022; Sheree Hovesepian, Radio , 2022

Artworks left to right: Maria Lassnig, Die grune Malerin (The Green Paintress), 2000; Dana Schutz, Umbrella Man, 2017; Cecily Brown, The Demon Menagerie, 2019–20; Jenna Gribbon, You, blinded by M, 2022; Sheree Hovesepian, Radio, 2022

Artworks left to right: Tschabalala Self, Sisters , 2021; Firelei Báez, For Améthyste and Athénaïre (Exiled Muses Beyond Jean Luc Nancy’s Canon), Anacaonas , 2018; Lynette Yiadom-Boakye, Afterword , 2019

Artworks left to right: Tschabalala Self, Sisters, 2021; Firelei Báez, For Améthyste and Athénaïre (Exiled Muses Beyond Jean Luc Nancy’s Canon), Anacaonas, 2018; Lynette Yiadom-Boakye, Afterword, 2019

Artworks left to right: Jenna Gribbon, You, blinded by M , 2022; Barbara Chase-Riboud, Malcom X #17 , 2016; Dana Schutz, Umbrella Man , 2017

Artworks left to right: Jenna Gribbon, You, blinded by M, 2022; Barbara Chase-Riboud, Malcom X #17, 2016; Dana Schutz, Umbrella Man, 2017

Artworks left to right: Dana Schutz, Umbrella Man , 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Françoise Grossen, Contact III , 1977; Tschabalala Self, Sisters , 2021

Artworks left to right: Dana Schutz, Umbrella Man, 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Françoise Grossen, Contact III, 1977; Tschabalala Self, Sisters, 2021

Artworks left to right: Barbara Chase-Riboud, Malcom X #17 , 2016; Dana Schutz, Umbrella Man , 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Françoise Grossen, Contact III , 1977; Tschabalala Self, Sisters , 2021

Artworks left to right: Barbara Chase-Riboud, Malcom X #17, 2016; Dana Schutz, Umbrella Man, 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Françoise Grossen, Contact III, 1977; Tschabalala Self, Sisters, 2021

Artworks left to right: Barbara Chase-Riboud, Malcom X #17 , 2016; Dana Schutz, Umbrella Man , 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Françoise Grossen, Contact III , 1977; Tschabalala Self, Sisters , 2021

Artworks left to right: Barbara Chase-Riboud, Malcom X #17, 2016; Dana Schutz, Umbrella Man, 2017; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Françoise Grossen, Contact III, 1977; Tschabalala Self, Sisters, 2021

Artworks left to right: Elizabeth Murray, Joanne in the Canyon , 1990-91; Françoise Grossen, Contact III , 1977; Kay WalkingStick, Red Painting/Red Person , 1976; Naudline Pierre, A Timely Rescue , 2019-2020; Pinaree Sanpitak, The Body and The G

Artworks left to right: Elizabeth Murray, Joanne in the Canyon, 1990-91; Françoise Grossen, Contact III, 1977; Kay WalkingStick, Red Painting/Red Person, 1976; Naudline Pierre, A Timely Rescue, 2019-2020; Pinaree Sanpitak, The Body and The Gold Breast, 2021; Portia Zvavahera, Crying Belly, 2021

Artworks left to right: Naudline Pierre, A Timely Rescue , 2019-2020; Pinaree Sanpitak, The Body and The Gold Breast , 2021; Portia Zvavahera, Crying Belly , 2021; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023

Artworks left to right: Naudline Pierre, A Timely Rescue, 2019-2020; Pinaree Sanpitak, The Body and The Gold Breast, 2021; Portia Zvavahera, Crying Belly, 2021; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023

Artworks left to right: Joyce Scott, Harriet's Quilt , 2016–22; Jadé Fadojutimi, Inside My Shell , 2018; Suzanne Jackson, Cut / Slip for Flowers , 2020

Artworks left to right: Joyce Scott, Harriet's Quilt, 2016–22; Jadé Fadojutimi, Inside My Shell, 2018; Suzanne Jackson, Cut / Slip for Flowers, 2020

Artworks left to right: Sheila Hicks, Taxco , ca. 1970s; Miriam Schapiro, Double Rose , 1978; Merikokeb Berhanu, Untitled LXXIII , 2021; Sonia Gomes, Sol Maior , 2023; Sonia Gomes, Artérias (série tela- corpo) , 2022

Artworks left to right: Sheila Hicks, Taxco, ca. 1970s; Miriam Schapiro, Double Rose, 1978; Merikokeb Berhanu, Untitled LXXIII, 2021; Sonia Gomes, Sol Maior, 2023; Sonia Gomes, Artérias (série tela- corpo), 2022

Artworks left to right: Elizabeth Talford Scott, Save the Babies , 2022; Jaune Quick-to-See Smith, In the Future Map , 2021; Kay WalkingStick, Red Painting/Red Person , 1976; Rose B. Simpson, Counterculture B , 2022; Joyce Scott, Harriet's Quilt

Artworks left to right: Elizabeth Talford Scott, Save the Babies, 2022; Jaune Quick-to-See Smith, In the Future Map, 2021; Kay WalkingStick, Red Painting/Red Person, 1976; Rose B. Simpson, Counterculture B, 2022; Joyce Scott, Harriet's Quilt, 2016–22

Artworks left to right: Jaune Quick-to-See Smith, In the Future Map , 2021; Kay WalkingStick, Red Painting/Red Person , 1976; Sherrie Levine, Chair Seat: 6 , 1986; Rose B. Simpson, Counterculture B , 2022; Marcia Haifa, 176. December 1967 from t

Artworks left to right: Jaune Quick-to-See Smith, In the Future Map, 2021; Kay WalkingStick, Red Painting/Red Person, 1976; Sherrie Levine, Chair Seat: 6, 1986; Rose B. Simpson, Counterculture B, 2022; Marcia Haifa, 176. December 1967 from the series Italian Paintings, 1967; Joyce Scott, Harriet's Quilt, 2016–22; Jadé Fadojutimi, Inside My Shell, 2018; Suzanne Jackson, Cut / Slip for Flowers, 2020

Artworks left to right: Marie Watt, Companion Species (First and Last) , 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Elizabeth Talford Scott, Save the Babies , 2022; Jaune Quick-to-See Smith, In the Future Map , 2021; Kay WalkingSti

Artworks left to right: Marie Watt, Companion Species (First and Last), 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Elizabeth Talford Scott, Save the Babies, 2022; Jaune Quick-to-See Smith, In the Future Map, 2021; Kay WalkingStick, Red Painting/Red Person, 1976; Rose B. Simpson, Counterculture B, 2022; Joyce Scott, Harriet's Quilt, 2016–22

Artworks left to right: Virginia Jaramillo, Infraction IV , 1970; Marie Watt, Companion Species (First and Last) , 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Mary Grigoriadis, Cotton Stockings , 1973

Artworks left to right: Virginia Jaramillo, Infraction IV, 1970; Marie Watt, Companion Species (First and Last), 2023; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Mary Grigoriadis, Cotton Stockings, 1973

Artworks left to right: Marie Watt, Companion Species (First and Last) , 2023; Zarina Hashimi, Tasbih , 2008; Tau Lewis, Saint Mozelle in the Aphid Orgy , 2023; Mary Grigoriadis, Cotton Stockings , 1973

Artworks left to right: Marie Watt, Companion Species (First and Last), 2023; Zarina Hashimi, Tasbih, 2008; Tau Lewis, Saint Mozelle in the Aphid Orgy, 2023; Mary Grigoriadis, Cotton Stockings, 1973

Artworks left to right: Joyce Scott, Harriet's Quilt , 2016–22; Jadé Fadojutimi, Inside My Shell , 2018; Suzanne Jackson, Cut / Slip for Flowers , 2020; Magdalene Odundo, Untitled Vessel, Symmetrical Series , 2020; Ceramic works by Toshiko Takaez

Artworks left to right: Joyce Scott, Harriet's Quilt, 2016–22; Jadé Fadojutimi, Inside My Shell, 2018; Suzanne Jackson, Cut / Slip for Flowers, 2020; Magdalene Odundo, Untitled Vessel, Symmetrical Series, 2020; Ceramic works by Toshiko Takaezu; Judith Scott, Untitled, 1992; Kay Sekimachi, Amiyose, 1965

Artworks left to right: Trude Guermonprez, Untitled (Space Hanging) , ca. 1965; Etel Annan, Untitled , 2015; Magdalene Odundo, Untitled Vessel, Symmetrical Series , 2020; Ceramic works by Toshiko Takaezu; Judith Scott, Untitled , 1992; Kay Sekima

Artworks left to right: Trude Guermonprez, Untitled (Space Hanging), ca. 1965; Etel Annan, Untitled, 2015; Magdalene Odundo, Untitled Vessel, Symmetrical Series, 2020; Ceramic works by Toshiko Takaezu; Judith Scott, Untitled, 1992; Kay Sekimachi, Amiyose, 1965

November 2, 2023
—March 23, 2024
548 West 22nd Street
New York City

→

October 27, 2024–
April 20, 2025
Berkeley Art Museum and Pacific Film Archive

→

Opens September 2025
Mildred Lane Kemper Art Museum at Washington University in St. Louis

THE NEXT GENERATION

THE NEXT GENERATION

Alongside the New York presentation of Making Their Mark, the Shah Garg Foundation welcomed over 500 NYC students and 125+ teachers to the exhibition through a partnership with New York City Public Schools. Back in their classrooms, students created over 91 works for the student exhibition, Making Their Mark: The Next Generation.

Artists

Pacita Abad
Tomma Abts
Etel Adnan
Eileen Agar
Candida Alvarez
Olga de Amaral
Emma Amos
Helène Aylon
Cristina Banban
Jo Baer
Monika Baer
Firelei Báez
Rina Banerjee
Kate Barbee
Phyllida Barlow
Jennifer Bartlett
Mary Lee Bendolph
Lynda Benglis
Sula Bermudez-Silverman
Meghan Bogonovich
Gloria Bohanon
Carol Bove
Sonia Boyce
Dawn Williams Boyd
Cecily Brown
Lucy Bull 
Kathy Butterly
Grace Carney 
Jordan Casteel 
Rosemarie Castoro
Bhasha Chakrabarti 
Barbara Chase-Riboud
Judy Chicago 
Theresa Chromati 
Melissa Cody 
Yvonne Cole Meo 
Mary Corse
Corydon Cowansage 
Aria Dean 
Moira Dryer 
Torkwase Dyson 
Michaela Eichwald 
Mandy El-Sayegh 
Jadé Fadojutimi
Simone Fattal
Louise Fishman
Freedom Quilting Bee
Vibha Galhotra
Ellen Gallagher
Sonia Gomes
Mary Grigoriadis
Katharina Grosse
Françoise Grossen
Trude Guermonprez
Jennifer Guidi
Lauren Halsey
Harmony Hammond
Rachel Harrison
Cynthia Hawkins
Mary Heilmann
Charline von Heyl
Sheila Hicks
Jenny Holzer
Jacqueline Humphries
Miyoko Ito
Suzanne Jackson
Tomashi Jackson
Virginia Jaramillo
Rachel Jones
Barbara Kasten
Allison Katz
Bronwyn Katz
Caroline Kent
Fiza Khatri
Kapwani Kiwanga
Jutta Koether
Janet Kusmierski
Lucia Laguna
Maria Lassnig
Simone Leigh
Sherrie Levine
Tau Lewis
Hei Li
Sophia Loeb
Bertina Lopes
Tau Lewis
Medrie MacPhee
Gisela McDaniel
Helen Marten
Suchitra Mattai
Julie Mehretu
Merikokeb Berhanu
Beatriz Milhazes
Joan Mitchell 
Sarah Morris
Carrie Moyer
Ulrike Müller
Jemima Murphy
Elizabeth Murray
Dona Nelson
Senga Nengudi
Aliza Nisenbaum
Mary Obering
Magdalene Odundo
Toyin Ojih Odutola
Mary Lovelace O’Neal
Laura Owens
Hilary Pecis 
Naudline Pierre
Howardena Pindell
Christina Quarles
Calida Rawles
Deborah Remington
Helen Pashgian
Qunnie Pettway
Nathlie Provosty
Lauren Quin
Kaveri Raina
Elaine Reichek
Faith Ringgold
Ruth Root
Maja Ruznic
Ione Saldanha
Ilana Savdie
Miriam Schapiro
Dana Schutz
Elizabeth Talford Scott
Joyce J. Scott
Judith Scott
Kay Sekimachi
Tschabalala Self
Joan Semmel
Mindy Shapero
Shahzia Sikander
Amy Sillman
Lorna Simpson
Rose B. Simpson
Emily Mae Smith
Jaune Quick-to-See Smith
Shinique Smith
Joan Snyder
Janet Sobel
Vian Sora
Pat Steir
Ayesha Sultana
Sarah Sze
Tadaskia
Toshiko Takaezu
Lenore Tawney
Rosemarie Trockel
Anne Truitt
Uman
Andra Ursuţa
Lesley Vance
Kay WalkingStick
Marie Watt
Mary Weatherford
Dyani White Hawk
Kandis Williams
Rachel Eulena Williams
Sue Williams
Haegue Yang
Kennedy Yanko
Lynette Yiadom-Boakye
Billie Zangewa
Zarina
Portia Zvavahera

Making Their Mark:
Art by Women in the
Shah Garg Collection

Edited by Mark Godfrey and Katy Siegel, this book explores the bold vision and vast range of achievements of 136 women artists drawn from the Shah Garg Collection. 
Also available through bookshop.org and artbook.com